After months of anticipation, the art world finally got a long, hard look at the new Whitney Museum, and it was proud. A murderer’s row of artists, including Jasper Johns, Cindy Sherman, Chuck Close, Mark di Suvero and Fred Wilson came out Monday night to inaugurate the museum’s new era in the Meatpacking District. Like most people, they began on the eighth floor, with its spectacular views of Manhattan, and slowly made their way down, beaming as they went floor-to-floor, taking in a sprawling overview of the museum’s permanent collection, including some of their own work. It was an overwhelming experience for even the most jaded of connoisseurs. “It’s pretty exciting,” Laurie Simmons said. She had fond memories of the Breuer Building on the Upper East Side. “I can’t help it. I went to my first Whitney Biennial when I first came to New York in 1975,” she said. “I remember what I was wearing. It was the most exciting night of my life.” But the sheer sensory overload of the opening night, of the Renzo Piano building itself, was difficult to shake. “This is amazing. This is going to be a real force,” she continued. For the artists, collectors and philanthropists in attendance, picking a
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